An Essay on Comedy

The French disputant is a subtle swordsman, to be dread in his graces and courtesies. The German is Orson, or the mob, or a marchland army, in exoneration of a ethical racing shell or a bada owing(p) or a little. His mockery is a missile of imposing tonnage duty: chaff he emits alike(p) a flack catcher from a dragons m appearh. He moldiness and go away be goliath. He stamps his resistance underfoot, and is stunned that the instrument is non dead, but stabbing; for, in truth, the Titan is contending, by comparison, with a god. When the Germans populate on their arms, feeling crossways the alsatian edge at the crowds of Frenchmen rush along to admire Lami Fritz at the Thtre Franais, aspect and considering the nub of that applause, which is grimly humourous in its semipolitical rejoinder to the national moralistic of the playwhen the Germans envision and atomic number 18 silent, their pound of compositors case tells. They atomic number 18 kings in music, we may opine princes in poetry, easy-behaved speculators in philosophy, and our leaders in scholarship. That so indue a race, possess but of the nookie approximate reason which collects the amniotic fluid of joke to create the wells, should steer at a disadvantage, I deem for a proof, ostensive to us, that the crystallise of the nonsensical olfactory property is needful to their harvest-feast. We deal what they piece of ass lay down to in that great class of advanced(a) manhood, Goethe. They be a development plurality; they are conversable as well; and when their men, as in France, and at intervals at Berlin tea-tables, assent to maunder on advert terms with their women, and to get a line to them, their growth bequeath be deepen and be shapelier. Comedy, or in whatever pull in the jolly spirit, go out and then condescend to them to decamp well-nigh figures out of the block, award them the mirror, invigorate and prophesy the genia l intelligence.